Archive for the ‘Music’ Category

Battle Hymn of the Republic Ride

The “Battle Hymn of the Republic”, frequently known outside of the United States as “Mine Eyes Have Seen the Glory,”
is a lyric by the American writer Julia Ward Howe using the music from a song entitled “John Brown’s Body.”  Howe’s more famous lyrics were written in November of 1861, and first published in The Atlantic Monthly in February 1862.  And to end the week, on today’s lunchtime bike ride I went by The Willard Hotel (MAP), which is the site where she composed the song.

Julia Ward Howe was married to Samuel Gridley Howe, a nineteenth century American physician, abolitionist, and a famed scholar and advocate for education of the blind.  The couple were active leaders in anti-slavery politics and strong supporters of the Union.  Samuel Howe was a member of the Secret Six, the group who funded John Brown, who advocated for armed insurrection as the only way to overthrow the institution of slavery in the United States.  John Brown later lead a raid on the federal armory at Harpers Ferry, Virginia (today West Virginia) in an attempt to arm slaves and start a slave liberation movement.  However, the raid failed, he was tried for treason against the Commonwealth of Virginia, as well as the murder of five men including three black men, and inciting a slave insurrection.  He was found guilty on all counts and hanged, becoming the first person convicted of treason in the history of the country.  However, this did not deter the Howes’ abolishionist beliefs.

Howe first heard the song “John Brown’s Body” during a public review of Union troops outside D.C., on Upton Hill, Virginia. The Reverend James Freeman Clarke, who was accompanying Howe at the review, suggested to Howe that she write new words for the fighting men’s song.  It was at his suggestion that on the night of November 18, 1861, Howe wrote the verses to the “Battle Hymn of the Republic.”

Of the writing of the lyrics, Howe remembered, “I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, “I must get up and write these verses down, lest I fall asleep again and forget them.” So, with a sudden effort, I sprang out of bed, and found in the dimness an old stump of a pen which I remembered to have used the day before. I scrawled the verses almost without looking at the paper.”

When she was done, these were the lyrics she wrote:

Mine eyes have seen the glory of the coming of the Lord;
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword;
His truth is marching on.

[The chorus, which is repeated after each verse:]
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!
His truth is marching on.

I have seen Him in the watch-fires of a hundred circling camps;
They have builded Him an altar in the evening dews and damps;
I can read His righteous sentence by the dim and flaring lamps,
His day is marching on.

I have read His fiery gospel writ in rows of burnished steel!
“As ye deal with my condemners, so with you My grace shall deal!
Let the Hero, born of woman, crush the serpent with his heel, ”
Since God is marching on.

He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment seat;
Oh, be swift, my soul, to answer Him; be jubilant, my feet!
Our God is marching on.

In the beauty of the lilies Christ was born across the sea,
With a glory in His bosom that transfigures you and me;
As He died to make men holy, let us die to make men free!
While God is marching on.

A sixth verse also written by Howe, which is less commonly sung, was not initially published at that time. The lyrics are:

He is coming like the glory of the morning on the wave,
He is Wisdom to the mighty, He is Succour to the brave,
So the world shall be His footstool, and the soul of Time His slave,
Our God is marching on.

The song links the judgment of the wicked at the end of the age, as depicted in the 63rd chapter of the book of Isaiah in the Old Testament and the 19th chapter of the book of Revelation in the New Testament, with the American Civil War. And I had heard this extremely popular and well-known patriotic song many times during my life.  I’ve even heard it sung as a hymn in church.  But it wasn’t until today’s lunchtime bike ride that I learned about it, and where it was written.

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Emma G

During today’s bike ride, I stopped to watch a street performer playing music outside of the Metro Center transit system station (MAP), located in Downtown D.C.  I had heard her briefly once before, at Christmastime at the Downtown Holiday Market.  But at that time, despite wanting to stay and listen longer, I had to get back to work.  Today, however, I was able to stay for what for me turned out to be an hour-long beginning-of-the-week concert.  The performer’s name is Emma Ghaemmaghamy, but she is more commonly known as Emma G.

Emma G moved to D.C. almost three years ago from New Zealand, where she was the lead singer with the Auckland-based hard rock band Static Era.  After arriving stateside she worked for a few months or so at various jobs in Massachusetts and Connecticut before moving here.  But since arriving in D.C., she’s been focusing all of her time and energy, and her soul into the reason she moved here, to establish a music career in America.  She now works full time as a singer, songwriter, musician, vocal teacher, and actor.  She plays in various local clubs, bars and numerous community events throughout the city.  For example, just recently Emma G was one of the winners of the 2018 Sing Into Spring competition.  And as a result, along with Summer Pearson and Eli Lev, she sang on national television the opening song at this year’s Cherry Blossom Festival Parade, which took place earlier this month here in D.C.  Within the last year she has also played at The Kennedy Center, the Smithsonian Folklife Festival, and Arena Stage.

Her career also takes her far beyond our national capital city.  Since moving here she has also completed two tours of California, as well as a nationwide New Zealand tour entitled “All Roads Lead To Home (not Rome).”

Emma G’s music crosses the confines of individual genres.  She describes her music as “always having had a bit of tug and war between rock and pop”, but more recently also incorporating a whole bunch of funk, hip-hop and rap songs.  Her current sound she describes as “having a hint of aggression and sassiness but with a funky edge – kind of Pink meets Adele meets Tracy Chapman”.

A lot of her music also conveys a social consciousness, and not surprisingly for D.C., a certain political aspect as well.  For example, she has described her recent song “Superhero” as being about “using love as a superpower to win out over hate, bigotry, racism and sexism.”  And her studio single “Sold (Take A Shot)” she has described as her “anthem to women in particular with the messaging of ‘my body my choice’.”

It states on her website that she “is known as the ‘Kiwi girl’ who plays great songs.”  But if you’re not fortunate enough to be able to hear her in person, her music is available on iTunes, AmazonGoogle Play, Spotify, and SoundCloud.  And you can even download a free copy of her recent album entitled “Real Talk – Live in Washington, D.C.”

As I was enjoying her musical performance this morning in front of the metro station, I also watched the commuters as they came off the escalators and passed by her on their way to work.  And I felt sorry for many of them.  They seemed to be so caught up in their rush to get to their destinations that they didn’t pause to enjoy the music.  Many of them didn’t even look up to see her smiling, or hear her intermittently greeting them and wishing them a fantastic day.  They simply zoned out and followed each other like lemmings heading off a cliff or, in this case, to their jobs.

But not all of the passersby were oblivious to her presence.  I saw many of them start smiling once they saw her, or when they first heard the music.  Some waved.  A few even gave her a thumbs up.  And some of them exuded an air of familiarity in their interactions with her, much like regulars in a neighborhood bar.  They are the ones I envision having a good day and being happy throughout the day.

At the beginning of this post I wrote that Emma G is a street performer.  But with all due respect to that genre of entertainer, I would come to find out that she is much more than a street performer.  She emits a personal kind of gravity that draws you in.  Her contagious smile automatically evokes smiles from others.  And her music makes you feel like it’s going to be a good day.  She not only performs, but seems to also possess the power to make other people happy.  Experiencing her perform was a great way to start out my Monday at the beginning of a new work week.  And I think it’s going to be a good week.


The sound quality on these videos is not very good because I took them with my cellphone.  But you can
view and listen to her official videos here!

             
[Click on the photos to view the full-size versions]

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The Muddy Crows

I didn’t wait until lunchtime for this bike ride because today I rode to Farragut Square Park (MAP) to see The Muddy Crows, one of D.C.’s best local original bands, who were performing as part of the Spring Concert Series sponsored by Fox 5, the local TV affiliate.

It was an unseasonably cold morning with occasional drops of rain drizzling down from a sky that couldn’t seem to make up its mind what it wanted to do.  But even that couldn’t put a damper on the event.  The Americana/Roots-Rock group played a variety of covers, but it was their original songs like Old Fashioned Love and One of Those Days, as well as some of the songs from the group’s recently-released album such as Warm and Fuzzy and Jezebel, that really made the show.

Unfortunately, the concert had to come to an end.  So it’s too late for anyone who wasn’t fortunate enough to be able to be there.  I took a couple of videos of the #Fox5Rocks performance (see below) so you could get a taste of their music, which is available through their website and on iTunes.  But to fully enjoy The Muddy Crows, I recommend seeing them live.  And if the nearly 100 shows they put on last year is any indication, the prolific performers will providing many more opportunities in the near future.  And now that they are back from their recently-completed first European tour, which included 22 shows over 24 days across 17 cities and multiple countries, I’m hoping many of those upcoming shows will be here in the D.C. area.